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Who has not read "Pilgrim's Progress?" Who has not, in childhood, followed the wandering Christian on his way to the Celestial City? Who has not laid at night his young head on the pillow, to paint on the walls of darkness pictures of the Wicket Gate and the Archers, the Hill of Difficulty, the Lions and Giants, Doubting Castle and Vanity Fair, the sunny Delectable Mountains and the Shepherds, the Black River and the wonderful glory beyond it; and at last fallen asleep, to dream over the strange story, to hear the sweet welcomings of the sisters at the House Beautiful, and the song of birds from the window of that "upper chamber which opened toward the sunrising?" And who, looking back to the green spots in his childish experiences, does not bless the good Tinker of Elstow?
And who, that has reperused the story of the Pilgrim at a maturer age, and felt the plummet of its truth sounding in the deep places of the soul, has not reason to bless the author for some timely warning or grateful encouragement? Where is the scholar, the poet, the man of taste and feeling who does not with Cowper,
"Even in transitory life's late day,
Revere the man whose Pilgrim marks the road
And guides the Progress of the soul to God!"
We have just been reading, with no slight degree of interest, that simple but wonderful piece of autobiography entitled "Grace Abounding to the Chief of Sinners," from the pen of the author of "Pilgrim's Progress." It is the record of a journey more terrible than that of the ideal Pilgrim; "truth stranger than fiction;" the painful upward struggling of a spirit from the blackness of despair and blasphemy, into the high, pure air of Hope and Faith. More earnest words were never written. It is the entire unveiling of a human heart, the tearing off of the fig-leaf covering of its sin. The voice which speaks to us from these old pages seems not so much that of a denizen of the world in which we live, as of a soul at the last solemn confessional. Shorn of all ornament, simple and direct as the contrition and prayer of childhood, when for the first time the Spectre of Sin stands by its bedside, the style is that of a man dead to self gratification, careless of the world's opinion, and only desirous to convey to others, in all truthfulness and sincerity, the lesson of his inward trials, temptations, sins, weaknesses, and dangers; and to give glory to Him who had mercifully led him through all, and enabled him, like his own Pilgrim, to leave behind the Valley of the Shallow of Death, the snares of the Enchanted Ground, and the terrors of Doubting Castle, and to reach the land of Beulah, where the air was sweet and pleasant, and the birds sang and the flowers sprang up around him, and the Shining Ones walked in the brightness of the not distant heaven. In the introductory pages he says: "I could have dipped into a style higher than this in which I have discoursed, and could have adorned all things more than here I have seemed to do; but I dared not. God did not play in tempting me; neither did I play when I sunk, as it were, into a bottomless pit, when the pangs of hell took hold on me; wherefore, I may not play in relating of them, but be plain and simple, and lay down the thing as it was."
This book, as well as "Pilgrim's Progress," was written in Bedford prison, and was designed especially for the comfort and edification of his "children, whom God had counted him worthy to beget in faith by his ministry." In his introduction he tells them, that, although taken from them and tied up, "sticking, as it were, between the teeth of the lions of the wilderness," he once again, as before, from the top of Shemer and Hermon, so now, from the lion's den and the mountain of leopards, would look after them with fatherly care and desires for their everlasting welfare. "If," said he, "you have sinned against light; if you are tempted to blaspheme; if you are drowned in despair; if you think God fights against you, or if heaven is hidden from your eyes, remember it was so with your father. But out of all the Lord delivered me."
He gives no dates; he affords scarcely a clew to his localities; of the man, as he worked and ate and drank and lodged, of his neighbors and contemporaries, of all he saw and heard of the world about him, we have only an occasional glimpse, here and there, in his narrative. It is the story of his inward life only that he relates. What had time and place to do with one who trembled always with the awful consciousness of an immortal nature, and about whom fell alternately the shadows of hell and the splendors of heaven? We gather, indeed, from his record that he was not an idle on-looker in the time of England's great struggle for freedom, but a soldier of the Parliament in his young years, among the praying sworders and psalm-singing pikemen, the Greathearts and Holdfasts whom he has immortalized in his allegory; but the only allusion which he makes to this portion of his experience is by way of illustration of the goodness of God in preserving him on occasions of peril.
He was born at Elstow, in Bedfordshire, in 1628; and, to use his own words, his "father's house was of that rank which is the meanest and most despised of all the families of the land." His father was a tinker, and the son followed the same calling, which necessarily brought him into association with the lowest and most depraved classes of English society. The estimation in which the tinker and his occupation were held in the seventeenth century, may be learned from the quaint and humorous description of Sir Thomas Overbury. "The tinker," saith he, "is a movable, for he hath no abiding in one place; he seems to be devout, for his life is a continual pilgrimage, and sometimes, in humility, goes bare-foot, therein making necessity a virtue; he is a gallant, for he carries all his wealth upon his back; or a philosopher, for he bears all his substance with him. He is always furnished with a song, to which his hammer, keeping tune, proves that he was the first founder of the kettle drum; where the best ale is, there stands his music most upon crotchets. The companion of his travel is some foul, sunburnt quean, that, since the terrible statute, has recanted gypsyism, and is turned pedlaress. So marches he all over England, with his bag and baggage; his conversation is irreprovable, for he is always mending. He observes truly the statutes, and therefore had rather steal than beg. He is so strong an enemy of idleness, that in mending one hole he would rather make three than want work; and when he hath done, he throws the wallet of his faults behind him. His tongue is very voluble, which, with canting, proves him a linguist. He is entertained in every place, yet enters no farther than the door, to avoid suspicion. To conclude, if he escape Tyburn and Banbury, he dies a beggar."
Truly, but a poor beginning for a pious life was the youth of John Bunyan. As might have been expected, he was a wild, reckless, swearing boy, as his father doubtless was before him. "It was my delight," says he, "to be taken captive by the devil. I had few equals, both for cursing and swearing, lying and blaspheming." Yet, in his ignorance and darkness, his powerful imagination early lent terror to the reproaches of conscience. He was scared, even in childhood, with dreams of hell and apparitions of devils. Troubled with fears of eternal fire and the malignant demons who fed it in the regions of despair, he says that he often wished either that there was no hell, or that he had been born a devil himself, that he might be a tormentor rather than one of the tormented.
At an early age he appears to have married. His wife was as poor as himself, for he tells us that they had not so much as a dish or spoon between them; but she brought with her two books on religious subjects, the reading of which seems to have had no slight degree of influence on his mind. He went to church regularly, adored the priest and all things pertaining to his office, being, as he says, "overrun with superstition." On one occasion a sermon was preached against the breach of the Sabbath by sports or labor, which struck him at the moment as especially designed for himself; but by the time he had finished his dinner he was prepared to "shake it out of his mind, and return to his sports and gaming."
One day, while standing in the street, cursing and blaspheming, he met with a reproof which startled him. The woman of the house in front of which the wicked young tinker was standing, herself, as he remarks, "a very loose, ungodly wretch," protested that his horrible profanity made her tremble; that he was the ungodliest fellow for swearing she had ever heard, and able to spoil all the youth of the town who came in his company. Struck by this wholly unexpected rebuke, he at once abandoned the practice of swearing; although previously he tells us that "he had never known how to speak, unless he put an oath before and another behind."
His account of his entering upon the solemn duties of a preacher of the gospel is at once curious and instructive. He deals honestly with himself, exposing all his various moods, weaknesses, doubts, and temptations. "I preached," he Says, "what I felt; for the terrors of the law and the guilt of transgression lay heavy on my conscience. I have been as one sent to them from the dead. I went, myself in chains, to preach to them in chains, and carried that fire in my conscience which I persuaded them to beware of." At times, when he stood up to preach, blasphemies and evil doubts rushed into his mind, and he felt a strong desire to utter them aloud to his congregation; and at other seasons, when he was about to apply to the sinner some searching and fearful text of scripture, he was tempted to withhold it, on the ground that it condemned himself also; but, withstanding the suggestion of the tempter, to use his own simile, he bowed himself, like Samson, to condemn sin wherever he found it, though he brought guilt and condemnation upon himself thereby, choosing rather to die with the Philistines than to deny the truth.
Foreseeing the consequences of exposing himself to the operation of the penal laws by holding conventicles and preaching, he was deeply afflicted at the thought of the suffering and destitution to which his wife and children might be exposed by his death or imprisonment. Nothing can be more touching than his simple and earnest words on this point. They show how warm and deep were his human affections, and what a tender and loving heart he laid as a sacrifice on the altar of duty.
"I found myself a man compassed with infirmities; the parting with my wife and poor children hath often been to me in this place as the pulling the flesh from the bones; and also it brought to my mind the many hardships, miseries, and wants, that my poor family was like to meet with, should I be taken from them, especially my poor blind child, who lay nearer my heart than all beside. Oh, the thoughts of the hardships I thought my poor blind one might go under would break my heart to pieces. Poor child! thought I, what sorrow art thou like to have for thy portion in this world! thou must be beaten, must beg, suffer hunger, cold, nakedness, and a thousand calamities, though I cannot now endure the wind should blow upon thee. But yet, thought I, I must venture you all with God, though it goeth to the quick to leave you. Oh! I saw I was as a man who was pulling down his house upon the heads of his wife and children; yet I thought on those 'two milch kine that were to carry the ark of God into another country, and to leave their calves behind them."
"But that which helped me in this temptation was divers considerations: the first was, the consideration of those two Scriptures, 'Leave thy fatherless children, I will preserve them alive; and let thy widows trust in me;' and again, 'The Lord said, Verily it shall go well with thy remnant; verily I will cause the enemy to entreat them well in the time of evil.'"
He was arrested in 1660, charged with "devilishly and perniciously abstaining from church," and of being "a common upholder of conventicles." At the Quarter Sessions, where his trial seems to have been conducted somewhat like that of Faithful at Vanity Fair, he was sentenced to perpetual banishment. This sentence, however, was never executed, but he was remanded to Bedford jail, where he lay a prisoner for twelve years.
Here, shut out from the world, with no other books than the Bible and Fox's "Martyrs," he penned that great work which has attained a wider and more stable popularity than any other book in the English tongue. It is alike the favorite of the nursery and the study. Many experienced Christians hold it only second to the Bible; the infidel himself would not willingly let it die. Men of all sects read it with delight, as in the main a truthful representation of the Christian pilgrimage, without indeed assenting to all the doctrines which the author puts in the mouth of his fighting sermonizer, Greatheart, or which may be deduced from some other portions of his allegory. A recollection of his fearful sufferings, from misapprehension of a single text in the Scriptures, relative to the question of election, we may suppose gave a milder tone to the theology of his Pilgrim than was altogether consistent with the Calvinism of the seventeenth century. "Religion," says Macaulay, "has scarcely ever worn a form so calm and soothing as in Bunyan's allegory." In composing it, he seems never to have altogether lost sight of the fact, that, in his life-and-death struggle with Satan for the blessed promise recorded by the Apostle of Love, the adversary was generally found on the Genevan side of the argument.
Little did the short-sighted persecutors of Bunyan dream, when they closed upon him the door of Bedford jail, that God would overrule their poor spite and envy to His own glory and the world-wide renown of their victim. In the solitude of his prison, the ideal forms of beauty and sublimity which had long flitted before him vaguely, like the vision of the Temanite, took shape and coloring; and he was endowed with power to reduce them to order, and arrange them in harmonious groupings. His powerful imagination, no longer self-tormenting, but under the direction of reason and grace, expanded his narrow cell into a vast theatre, lighted up for the display of its wonders.
Few who read Bunyan nowadays think of him as one of the brave old English confessors, whose steady and firm endurance of persecution baffled, and in the end overcame, the tyranny of the Established Church in the reign of Charles II. What Milton and Penn and Locke wrote in defence of liberty, Bunyan lived out and acted. He made no concessions to worldly rank. Dissolute lords and proud bishops he counted less than the humblest and poorest of his disciples at Bedford. When first arrested and thrown into prison, he supposed he should be called to suffer death for his faithful testimony to the truth; and his great fear was, that he should not meet his fate with the requisite firmness, and so dishonor the cause of his Master. And when dark clouds came over him, and he sought in vain for a sufficient evidence that in the event of his death it would be well with him, he girded up his soul with the reflection that, as he suffered for the word and way of God, he was engaged not to shrink one hair's breadth from it. "I will leap," he says, "off the ladder blindfold into eternity, sink or swim, come heaven, come hell. Lord Jesus, if thou wilt catch me, do; if not, I will venture in thy name!"
The English revolution of the seventeenth century, while it humbled the false and oppressive aristocracy of rank and title, was prodigal in the development of the real nobility of the mind and heart. Its history is bright with the footprints of men whose very names still stir the hearts of freemen, the world over, like a trumpet peal. Say what we may of its fanaticism, laugh as we may at its extravagant enjoyment of newly-acquired religious and civil liberty, who shall now venture to deny that it was the golden age of England? Who that regards freedom above slavery, will now sympathize with the outcry and lamentation of those interested in the continuance of the old order of things, against the prevalence of sects and schism, but who at the same time, as Milton shrewdly intimates, dreaded more the rending of their pontifical sleeves than the rending of the Church? Who shall now sneer at Puritanism, with the "Defence of Unlicensed Printing" before him? Who scoff at Quakerism over the "Journal" of George Fox? Who shall join with debauched lordlings and fat-witted prelates in ridicule of Anabaptist levellers and dippers, after rising from the perusal of "Pilgrim's Progress?" "There were giants in those days." And foremost amid that band of liberty-loving and God-fearing men,
"The slandered Calvinists of Charles's time,
Who fought, and won it, Freedom's holy fight,"
stands the subject of our sketch, the "Tinker of Elstow." Of his high merit as an author there is no longer any question. The Edinburgh Review expressed the common sentiment of the literary world, when it declared that the two great creative minds of the seventeenth century were those which produced "Paradise Lost" and the "Pilgrim's Progress."